Basically you've juts got to use the pressure to make yourself work harder.ĭid you have to do a lot of vocal training to prepare? But I've done a whole bunch of movies where I've come in as the underdog but I have the tools and experience to deal with. If I'm being honest it was a much higher level of fear with this than most other things because it was a musical. I have a level of fear going into every project and that's what keeps me going. With your lack of singing experience, did you have some trepidation about taking this on? It was like it was happening to me and I judge whether or not to do a part based on how easily I slip into it while reading the script. Without sounding pretentious, I felt his soul - all his passion and his hopes and frustrations and, in the end, his tragedy. I read it as I was listening to the music and to me it was a major experience because I felt I had to tell this guy's story. I was dubious myself as to why they were considering me for The Phantom until I read the script and then I could completely understand why he came to me and why I would want to play it. He knew that I could sing but not if I could handle something like this. When Joel called my agent and asked if I could sing, even he wasn't sure about it. You haven't had much experience in musicals so it seems strange that you should be cast in this. This time he tries something completely different, playing a masked madman in Joel Schumacher's adaptation of Andrew Lloyd Webber's stage musical The Phantom Of The Opera. Recently though, he scored a critical hit with upcoming Scottish drama Dear Frankie although box office success still eludes him. After treading the boards in countless plays, Gerard Butler took roles in dubious movies like Reign Of Fire, Lara Croft: The Cradle Of Life and Richard Donner's Timeline.
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